I think I did more than let on that I really enjoyed my time with Atoll’s SDA300 Signature Streaming Integrated Amplifier when I reviewed it back in December.
Late Wednesday, more than 250 FDNY firefighters spent over seven hours fighting a fire at 481 Van Brunt Street in Brooklyn, home to many artists and businesses including Resolution A/V.
Each Friday, Stephen Mejias, AudioQuest’s Director of Communications and former Stereophile and Audiostream columnist, will browse through the many exciting albums released that day and select 15 worth a closer listen.
The front-loaded bass reflex Dynaudio Core 5 stand 14″ tall and house a 1.1″ Cerotar Pro soft dome tweeter, a 5″ MSP (Magnesium Silicate Polymer) woofer, a pair of 280 Watt amps per driver per speaker, and a DSP x-over. A lot of speaker for […]
Each Friday, Stephen Mejias, AudioQuest’s Director of Communications and former Stereophile and Audiostream columnist, will browse through the many exciting albums released that day and select 15 worth a closer listen.
Anyone who follows my weekly album picks knows I have a thing for guitar and its players in all manner of styles from Jeff Parker to Mary Halvorson to Jimi Hendrix, Joe Pass, John Fahey, James Blackshaw, Skip James, Mississippi John Hurt, Marc Ribot, Mississippi […]
The Helios is the 3rd DAC from Weiss I’ve reviewed in these pages along with the DAC501 and DAC204 and the one thing they have in common, beyond their obvious Weiss origin, is they all sound great. In many ways, exceptional.
As we all more than likely know, a CD transport does not also house a DAC. If it did, it would a CD player. For serious listening, I’m a fan of transports seeing as I already have a DAC I love. You probably do too.
Tens years after the Devialet Phantom made a big splash inside and outside the world of audiophilia, the company has introduced a pair of Ultimate editions.
We live in a funny world, which isn’t funny at all most of the time, and one of the funniest notions in hifi is that the value of listening to music is best determined by a measured approach devoid of emotion.
Each Friday, Stephen Mejias, AudioQuest’s Director of Communications and former Stereophile and Audiostream columnist, will browse through the many exciting albums released that day and select 15 worth a closer listen.
Fans of the complete package—design, craft, engineering, performance and quality—can spot many of these traits built into the Treehaus Audiolab The Preamplifer and 300B-2 SET Amplifier from a listening seat away.
I subscribe to lossless streaming from Tidal and Qobuz because it simply makes good sense, it’s a giant bargain, and it sounds better than lossy streaming all things considered. But Spotify? No thanks.
I make no bones about my love for Technics ‘tables and own a 1970s-era SP-15 because a) it is a thing of industrial design beauty, b) it plays 78s, and c) it does what it’s supposed to do really well.
Each Friday, Stephen Mejias, AudioQuest’s Director of Communications and former Stereophile and Audiostream columnist, will browse through the many exciting albums released that day and select 15 worth a closer listen.
TMI. Too much information is an oft-stated knock against “Pro” audio gear. On the other hand, hifi companies with Pro Audio history are often valued for that experience. Odd, no?